https://dl.dropbox.com/u/13184331/Knives_tests.zip

With room mics, without room mics, with my mix bus chain (Decapitator, compressor, EQ) and without.

No post-processing save for the aforementioned; the ones labeled "dry", well, are.

Shure KSM27 LDC and Nady RSM-4 ribbon close(ish) on the amps; about 6" back on the Super Reverb (clean) and about 4" on the AC30 (not clean.) Rode NT5s as room mics in stereo about 10 feet back.

From memory, settings were as follows:

Super Reverb: Vibrato channel, low gain input. Bass 7, Mids 5, Treble 6, Reverb 3? 4? Volume 3.5. Eventide Timefactor on tape delay set to the BPM of the song. EHX Cathedral on Grail Flerb setting, pretty subtle.

AC30: Top boost, jumpered to Normal. Bass and treble 2:00, cut off. Normal volume 12:00, Top Boost volume 2:00. KSM27 on the Alnico Blue, RSM-4 on the Greenback. Fulltone OCD, volume and tone @ 12:00, gain @ 1:00.

Panning-wise, the KSM27 is full right, the RSM-4 is 2/3 right. The room mics are hard-panned. I balanced the levels sorta visually with the meters. Done. Unfucked with.

These are possibly final album tracks, taken wholly out of context.