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can someone id this for me http://maplifiers.net/forum/viewtopic.php?f=21&t=2110 |
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Author: | I want a VHT CLX [ Thu Oct 13, 2011 6:34 pm ] |
Post subject: | can someone id this for me |
http://sandiego.craigslist.org/csd/msg/2644627688.html It looks like it could be a M-100, if so, isn't that a killer deal? someone help me with identifying this thing? |
Author: | Snaxocaster [ Thu Oct 13, 2011 6:52 pm ] |
Post subject: | Re: can someone id this for me |
No, but I can ego or superego it for you. It does look like an M100. I'd go for an M3 personally; word on the street is it's the closest sound-wise to the B3 and you can score 'em for 250-350 on CL all day long. There was a rash of them around here lately, and I totally would have snagged one if I could figure a way to get the thing up the stairs. That and a proper piano. I'm pretty set on synths. Double-and-triple examining it and yeah, M100. Thought it might be an L100 at first glance but the top row is off from that. Fairly positive it's an M100. For a hundred bucks? |
Author: | I want a VHT CLX [ Thu Oct 13, 2011 7:07 pm ] | |||||||||
Post subject: | Re: can someone id this for me | |||||||||
M100 is the organ Richard Wright used in Pink Floyd live during 70-71 or so right? I would definitely like to get it, it's a good price and it's always good to have a Hammon laying around IMO. My only concern is like you said where the fuck I'd keep it and :P and plus I lack a Leslie |
Author: | Snaxocaster [ Thu Oct 13, 2011 9:12 pm ] |
Post subject: | Re: can someone id this for me |
As much as the B3 is the "classic" Hammond the others aren't exactly bad kit and you can score those for damn near nothing. And the Rick Wright thing raises a valid fact- a lot of classic organ sounds are not B3s even when they are Hammonds. Re: Leslie, the bassist in my old goth-metal band had a... I think a Wurlitzer that had a rotary speaker built-in. That was fun. So I don't know if the apparatus is out there in some form on the fairly-cheap. It may be. (A proper Leslie is some bucks.) There's always the Motion Sound cab or just running it into pedals... under the assumption you're probably going to run it into a guitar amp anyhow. (Which is a totally valid way to roll. See: Jon Lord, etc.) With a proper rotary cab, you run into the problem of... well, micing the thing. Having a way to get the wobblysound is imperative, I think, though, even if through a pedal. It's a great sound, idiosyncratic of and idiomatic to the instrument, and part of doing the Hammond thing properly is manipulating the sound of it. |
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